Es to dadha dukh na koi, pyar na wichrhay
Kisay da yar na wichrhay, kisay da yar na wichrhay
kisay da yar na wichrhay
Rog hijr da maar mukaway
sukh da koi saah na away
dukh laande ne dil wich dairay
charay pasay disan haneray dunya wichrhay naii parwah
dildar na wichrhay
Kisay da yar na wichrhay, kisay da yar na wichrhay
kisay da yar na wichrhay
Nagan waagun dang diyan raatan
pat jharh lagdiyan ne barsatan
hanjuan haar parowan akhiyan
loki hansday rowan akhiyan
gham awan te nai parwah gham-khar na wichrhay
Kisay da yar na wichrhay, kisay da yar na wichrhay
kisay da yar na wichrhay
Yar jinaan de paon judaiyan
rul jaande ne waang shudaiyan
ranjhe warge ishq de rogi
kan parhwa ke ban gaye jogi
lakh wari je karo dua ik waar na wichrhay
Kisay da yar na wichrhay, kisay da yar na wichrhay
kisay da yar na wichrhay
Es to dadha dukh na koi, pyar na wichrhay
Kisay da yar na wichrhay, kisay da pyar na wichrhay
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Overall Meaning:
The lyrics to Nusrat Fateh Ali Khan's song Kise Da Yaar Na Vichhre tell a story of profound sadness and heartbreak caused by the separation of two lovers. The opening verses describe the despair felt by someone who has lost their love and is left with nothing but pain and heartache. The second verse describes the physical and emotional effects of separation, with the singer feeling as though they have been struck down by a disease and unable to find any comfort or happiness without their beloved. The final verses express the singer's deep longing for their lost love, and their desperation to be reunited with them again.
Throughout the song, the lyrics reflect a sense of profound loss and despair. The singer seems to be struggling with the pain of separation, and their words evoke a powerful sense of heartbreak and disillusionment. The use of repetition creates a sense of urgency and desperation, as the singer expresses their hopelessness in finding love again without their previous partner. The lyrics are set to a haunting melody, which reinforces the sense of sadness and longing expressed in the words.
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